Exclusion -> Inclusion
The business models based on exclusion are in ruin, while the models based on inclusion continue to adjust to best advantage.
For the content business such as Music/Books/Movies/TV/Newspapers, the exclusion model was:
- Isolate/select to a few
- Erect and maintain barriers
- Hype/brand the few
It was no wonder that businesses continued to use the exclusion model, as it was:
- Successful
- Manageable, controllable
- Predictable
However the model results in:
- Formulistic, uneven content
- Slow to react/deliver
- Unconnected/divorced from the consumer
In the era of consumer mega-choice, content businesses need to harness the power of crowd content. This is not straight-forward.
Say, for example, we had a TV show called 2 1/2 Friends. Following the Exclusion model we have:
- Shallow pool of potential writers
- Editors to keep consistency
- Return unsolicited scripts and input unopened, unused, avoiding legal and tainting concerns
- Marketing to heighten viewer interest
For the Inclusive model, we consider:
- How to open it up?
- How to use parts of flawed scripts, ideas, suggestions
- Who gets paid and/or acknowledged
- How to filter to find what's best
We could consider an expanded role of agents as intermediaries, and the use of Web 2.0 crowd software with idea gathering/voting. This might then, for a single 2 1/2 Friends show, have:
- Situations for plot line taken from three ideas/mini-treatments contributed by independent sources
- 40 dialogue lines taken from suggestions, and tweaked
- Character development as voted by the fans
The business models based on exclusion are in ruin, while the models based on inclusion continue to adjust to best advantage.
For the content business such as Music/Books/Movies/TV/Newspapers, the exclusion model was:
- Isolate/select to a few
- Erect and maintain barriers
- Hype/brand the few
It was no wonder that businesses continued to use the exclusion model, as it was:
- Successful
- Manageable, controllable
- Predictable
However the model results in:
- Formulistic, uneven content
- Slow to react/deliver
- Unconnected/divorced from the consumer
In the era of consumer mega-choice, content businesses need to harness the power of crowd content. This is not straight-forward.
Say, for example, we had a TV show called 2 1/2 Friends. Following the Exclusion model we have:
- Shallow pool of potential writers
- Editors to keep consistency
- Return unsolicited scripts and input unopened, unused, avoiding legal and tainting concerns
- Marketing to heighten viewer interest
For the Inclusive model, we consider:
- How to open it up?
- How to use parts of flawed scripts, ideas, suggestions
- Who gets paid and/or acknowledged
- How to filter to find what's best
We could consider an expanded role of agents as intermediaries, and the use of Web 2.0 crowd software with idea gathering/voting. This might then, for a single 2 1/2 Friends show, have:
- Situations for plot line taken from three ideas/mini-treatments contributed by independent sources
- 40 dialogue lines taken from suggestions, and tweaked
- Character development as voted by the fans
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